The museum as "weapon". Some considerations on Meschac Gaba’s Museum of Contemporary African Art
DOI:
https://doi.org/10.6092/issn.2038-6184/9934Keywords:
Meschac Gaba, African art, TateAbstract
The article explores some aspects of the in progress and itinerant artwork of the Beninese artist Meschac Gaba Museum of Contemporary African Art (1997-2002), revisiting the genesis, development and critical reception, until its problematic entrance, in 2013, in the Tate’s art collection.
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Published
2019-11-04
How to Cite
Esposito, D. (2019). The museum as "weapon". Some considerations on Meschac Gaba’s Museum of Contemporary African Art. Figure, 4(1), 19–31. https://doi.org/10.6092/issn.2038-6184/9934
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Copyright (c) 2019 Domenico Esposito
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