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Vol. 4 (2019)
Vol. 4 (2019)
Published:
2019-11-04
Articles
A new introduction to the artist Pier Francesco Cavazza (1677-1733)
Tiziana Borea
1-7
PDF (Italiano)
Project Unité in Firminy. Art in the Urban and Architectural Device
Lara De Lena
8-18
PDF (Italiano)
The museum as "weapon". Some considerations on Meschac Gaba’s Museum of Contemporary African Art
Domenico Esposito
19-31
PDF (Italiano)
Fortune of Orpheus myth in Florence between the 16th and the 17th centuries
Cristina Lopresti
32-39
PDF (Italiano)
Joaquín Inza: honorary academic at the Accademia Clementina
Nadia Nached Prieto
40-48
PDF (Italiano)
Losing, looking for and finding each other again. The visual diary of Anna Di Prospero between reality and immaginary
Ilaria Schipani
49-55
PDF (Italiano)
Reimagining the Museum: experimental practices in digital media in the years 2010-2015
Francesca Sinigaglia
56-74
PDF (Italiano)
Raffaele Belluzzi’s first photographic album. First studies: competitions and public collections
Isabella Stancari
75-90
PDF (Italiano)
Carla Cerati’s photographic essays
Claudia Stritof
91-98
PDF (Italiano)
A case study of public art: Flavio Favelli and the wall painting Luigi Marulla in Cosenza
Valentina Elvira Tebala
99-105
PDF (Italiano)
Activities
Facing Botticelli: three studies on the significant detail
Marzia Faietti, Tiziana Borea, Amalda Ciani Cuka, Valentina Saetti
106-129
PDF (Italiano)
From private collections to public institutions
Marinella Pigozzi, Chiara Tartarini, Alex Barbanti, Giulia Calì, Ilenia Carrozza, Ilaria Chia, Laura Coppa, Annapaola Di Maio, Cristina Elia, Chiara Forconi, Federica Gamba, Alessandra Lisbona, Marida Mariano, Serena Mauro, Francesca Passerini, Guicciardo Sassoli de' Bianchi Strozzi, Ilaria Siboni, Sara Zugni
130-181
PDF (Italiano)
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