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Vol. 5 (2022)
Vol. 5 (2022)
Published:
2022-12-20
Articles
The arches of San Giacomo Maggiore: historical-artistic coordinates and protection
Beatrice Cannì
1-10
PDF (Italiano)
Antichrist imagery in Anglo-French illustrated Apocalypses from the thirteenth to the fourteenth century
Alessandro Paolo Lena
11-22
PDF (Italiano)
Giuseppe Maria Mitelli and the private commission
Anna Di Vita
23-29
PDF (Italiano)
Pseudo Vitali, namely Giacomo Monticelli? Activity and hypotheses about the identification of an important figure in Bolognese Still-life
Arianna Manes
30-41
PDF (Italiano)
Pietro Fancelli. The preparatory drawing for
Alessandro e Timoteo
Alessandra Lisbona
42-55
PDF (Italiano)
Gian Maria Tosatti’s environmental installations as experiential devices
Angelica Bertoli
56-66
PDF (Italiano)
“To give a new name to something that has always existed”: language as architecture in Riccardo Benassi’s work
Francesca De Zotti
67-74
PDF (Italiano)
Betty Danon’s work of art in the 1970s
Olimpia Di Domenico
75-86
PDF (Italiano)
A museographic adventure of the 1980s: the Museo civico medievale of Bologna
Francesco Zagnoni
87-98
PDF (Italiano)
Activities
Materials for the study of modern and contemporary graphics
Marzia Faietti, Maria Ilaria Garavelli, Francesco Mancinelli, Eugenia Mandaglio, Ottavia Mosca, Lorenzo Pirazzi
99-152
PDF (Italiano)
RADICAL MUSEOLOGY_Principles and practices of ‘dialectical contemporaneity’
Antonella Huber, Giulia Bertolazzi, Eugenio Caregnato, Ludovica Fasciani, Federica Gabrieli, Giulia Paletti, Annetta Rombolà, Ernesto Sapienza, Nicola Turati, Gabriele Guarisco, Sara Guidi, Nicola Manzoni, Costanza Morabito, Stefania Pasini, Martina Cataldo, Giorgio Martini, Giacomo Orrù, Anna Storniello, Maria Lucia Tavella, Francesco Zagnoni
153-209
PDF (Italiano)
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