Vol. 5 (2022)

View Vol. 5 (2022)

Published: 2022-12-20

Articles

The arches of San Giacomo Maggiore: historical-artistic coordinates and protection

Beatrice Cannì

1-10
- PDF (Italiano)
Antichrist imagery in Anglo-French illustrated Apocalypses from the thirteenth to the fourteenth century

Alessandro Paolo Lena

11-22
- PDF (Italiano)
Giuseppe Maria Mitelli and the private commission

Anna Di Vita

23-29
- PDF (Italiano)
Pseudo Vitali, namely Giacomo Monticelli? Activity and hypotheses about the identification of an important figure in Bolognese Still-life

Arianna Manes

30-41
- PDF (Italiano)
Pietro Fancelli. The preparatory drawing for Alessandro e Timoteo

Alessandra Lisbona

42-55
- PDF (Italiano)
Gian Maria Tosatti’s environmental installations as experiential devices

Angelica Bertoli

56-66
- PDF (Italiano)
“To give a new name to something that has always existed”: language as architecture in Riccardo Benassi’s work

Francesca De Zotti

67-74
- PDF (Italiano)
Betty Danon’s work of art in the 1970s

Olimpia Di Domenico

75-86
- PDF (Italiano)
A museographic adventure of the 1980s: the Museo civico medievale of Bologna

Francesco Zagnoni

87-98
- PDF (Italiano)

Activities

Materials for the study of modern and contemporary graphics

Marzia Faietti, Maria Ilaria Garavelli, Francesco Mancinelli, Eugenia Mandaglio, Ottavia Mosca, Lorenzo Pirazzi

99-152
- PDF (Italiano)
RADICAL MUSEOLOGY_Principles and practices of ‘dialectical contemporaneity’

Antonella Huber, Giulia Bertolazzi, Eugenio Caregnato, Ludovica Fasciani, Federica Gabrieli, Giulia Paletti, Annetta Rombolà, Ernesto Sapienza, Nicola Turati, Gabriele Guarisco, Sara Guidi, Nicola Manzoni, Costanza Morabito, Stefania Pasini, Martina Cataldo, Giorgio Martini, Giacomo Orrù, Anna Storniello, Maria Lucia Tavella, Francesco Zagnoni

153-209
- PDF (Italiano)